Opera installation about sabotage and censorship in art
The chandelier falls, and smithereens are scattered across the floor. The Indonesian artist Jompet Kuswidananto has created an opera installation especially for the Proms and the Recital Hall of The Concertgebouw with its imposing chandelier. He was inspired by the falling chandelier scene in The Phantom of the Opera. Videos show newly recorded songs about the obstruction, sabotage and censorship that art and artists have had to endure over the years, particularly in countries where freedom of speech is under threat. Kuswidananto has previously exhibited work at the National Gallery of Victoria in Melbourne, the Taipei Biennial, and the Tropenmuseum in Amsterdam. His work is about a changing world and the role of art in this.
|dates||:||Sat 24 June 2017|
|starting time||:||between 4 pm and 1 am|
|venue||:||Het Concertgebouw, Kleine Zaal|
|ticket prices||:||standing ticket € 10|
|free admission with a ticket for a Main Hall concert|
|running time||:||9 hours (non-stop)|
|Writing History||:||Thu 8 June 2017
8 pm, De Balie
|Watching Party: Aural Archipelago||:||Wed 14 June 2017
8.30 pm, Festivalcentrum Stadsschouwburg Amsterdam
|Synthesizer construction workshop||:||Sat 10 & Sun 11 June 2017
11 am, Steim
|world premiere||Amsterdam, 24 June 2017|
FOCUS: MUSIC FROM INDONESIA
Following the focus on Turkey and its neighbouring countries (2015) and on the Edges of Europe (2016), this year’s special focus is on music from Indonesia. In the islands, many styles and genres exist next to each other in a fascinating way. We present a selection of contemporary work: noise from the streets of Yogyakarta and folk from strictly Islamic Aceh, to modern Indonesian composers.
We show collaborations which transcend boundaries from artists from different corners of the archipelago. Rahayu Suppangah wrote the music for Setan Jawa, a new silent dance film by Garin Nugroho. Indonesian composers and musicians work with Ensemble Modern from Frankfurt in Ruang Suara. We are presenting A Night in Indonesia in Paradiso, with the latest music from the Indonesian underground, including the EDM duo Filastine & Nova Ruth and Senyawa’s acoustic metal. At the Holland Festival Proms the visual artist Jompet Kuswidananto is presenting an opera installation about censorship in art. The audience can also enter the Temple of Time by the Indonesian-Dutch composer Sinta Wullur. The context programming explores topics such as Javanese mysticism and joint Dutch and Indonesian historiography.
Discover the sound of modern Indonesia.
Jompet Kuswidananto (Yogyakarta, 1976) is a visual artist. After the regime of Suharto fell in 1998, he joined Teater Garasi, which focuses on contemporary theatre. Kuswidananto's work is rooted in culture, history and traditional customs, and reflects on topics such as politics, power and mass movements. Music and video play a major role in his artwork. He exhibits his work within Indonesia as well as further afield. His work has, for example, been exhibited in the Tropenmuseum in Amsterdam.
He is mainly known for his mechanical music systems, in which instruments are played automatically. In Java's Machine: Phantasmagoria, pairs of shoes are lined up. Above them, pieces of military uniform and drums are suspended. In the installation After Voices, a long line of shoes represents participants at protest demonstrations who have either disappeared or died. In an interview with the Asian online magazine ART iT, Kuswidananto says, 'The history of Indonesia is incredibly complex. It has undergone many transitions, from Hinduism to Islam, from colonial to post-colonial, traditional to modern, dictatorship to democracy. Our cultural identity is unstable and constantly changing. The idea for the hollow figures came from this view of man trying to develop a strategy for negotiating the competing tensions that affect Indonesia.' In 2013, Kuswidananto won the Prins Claus Award with Teater Garasi.